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Before Landing (2025)

Spacial Exhibition and Interactive Installation

Project

Individual

Tools Used

Maya, Touchdesigner, Lasercut, Illustrator

Background Research

Human fossil fuel use has driven COâ‚‚ from 280ppm to dangerous levels since 1750, causing accelerating global warming despite brief cooling from industrial aerosols. Human activities have pushed warming past 1°C, made 2023 the hottest year on record, and are driving Earth toward the critical 1.5°C threshold in the 2030s.

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Crisis of Antarctica

Human fossil fuel use has driven COâ‚‚ from 280ppm to dangerous levels since 1750, causing accelerating global warming despite brief cooling from industrial aerosols. Human activities have pushed warming past 1°C, made 2023 the hottest year on record, and are driving Earth toward the critical 1.5°C threshold in the 2030s.

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Ice mass variation in Antarctica 2002-2025 (Gigatonnes)

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Projected Decline of Emperor Penguin Populations

Rapid Ice Sheet and Glacier Melting is the major crisis in Antarctica. The IPCC AR6 Report classifies Antarctic​

ice-sheet loss as an area of “very high risk and potential irreversibility.” The loss of glaciers triggers cascading effects, such as greater solar absorption leading to further warming, and threatens biodiversity and food web collapse.

 

Meanwhile, Antarctica is turning green, with vegetation increasing more than tenfold.

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I began investigating Antarctic tourism routes and tracing the standardized journeys. I became interested in how ecological impact is set in motion before arrival. 

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Project Ideation

WHERE

The installation is located in a southern harbor that functions as a pre-departure site where travelers can pause before entering the Antarctic system.

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HOW

A ship attracts visitors and houses an exhibition space that frames the journey ahead, encouraging a sense of responsibility toward the fragile ecosystem they are about to enter.

WHAT

Inside the ship, visitors move through an immersive spatial experience that combines informative Antarctic content with a carousel-like interactive installation using projection and camera sensing to register human presence.

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Awareness-raising mechanisms

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Making the Invisible Perceptible

 

Moss is transformed to particles, which visualizes an otherwise invisible environmental variable, allowing the viewers to perceive the change as an immediate condition.

Creating an Immersive Spatial Environment

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Inside the ship’s interior, the interactive installation situates in a dark room. Viewers slow down, stay longer, and remain physically close to it.

Bodily perception as cognitive feedback

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When viewers engage with a space through bodily presence, duration, and proximity, perception shifts from detached observation to self-awareness.

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I argue that consciousness is not formed through knowledge input alone, but also through embodied experience. Thus, I translate environmental issues into mechanisms that can be perceived through the body, triggered through action, and reinforced through systemic feedback.

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Branding Design

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I use a penguin skeleton as my logo to represent the structural vulnerability of Antarctic wildlife.

The penguin-bone carousel represents Antarctica as a lost paradise once a thriving habitat for wildlife now defined by irreversible ecological fragility.

I constructed the frame of the carousel using acrylic and plywood.

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Concept

Using departure cities for Antarctic cruises as a network, I integrate physical spaces to provide interactive spatial experiences for prospective Antarctic travelers.

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In collaboration with Antarctic expedition operators and research stations

An interactive installation that alters the visual appearance of moss in response to human presence and movement.

Visitors can purchase penguin skeleton souvenirs as tangible reminders of Antarctic ecological fragility.

Collaboration

Installation

Souvenir

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Visitors are drawn from the entrance toward a rotating installation of penguin skeletons suspended beneath an ice-like canopy.

The corridor walls feature ice-fragment textures. An embedded screen provides educational content on Antarctic ecosystems through interactive games and quizzes.

Through real-time image processing, the system detects approaching bodies and responds by amplifying moss density and growth patterns.

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The distorted skeletons symbolize habitat compression caused by human-induced climate change. As glaciers retreat, penguin territories shrink and fragment. The twisted forms embody this spatial violence, making abstract environmental pressure viscerally tangible.

Technology

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Souvenir Design

MAGNET SET

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Form: Dorsum

Form: Pivot

Form: Costa

Installation

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© 2025 Zoey Zhang, all rights reserved 

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